By June 1914 the rejuvenated studio office portrayed a sporting goods shop in Chaplin’s Mabel’s Married Life, upper left with Mabel Normand, and a restaurant that September in Chaplin’s His Trysting Places, upper right with Mack Swain, and portrayed a restaurant again that November in Roscoe Arbuckle’s Leading Lizzie Astray. A year before the Roach Studios opened in Culver City, Roscoe and Buster also filmed many scenes from The Hayseed (1919) in Palms at the intersection of National and Motor Ave., a site that would later appear in dozens of Roach comedies. Above, Mary’s view matched with Barney Oldfield’s Race for a Life, both looking NE, west of the Inglewood station, as the tracks and dirt road (modern W. Florence Ave.) curve to the southwest, approaching the “A” marker on the aerial photo further above. A popular filming spot, in part due to the limited alternative locations at the time, the same setting appears in several early Universal films, including this matching view from Eleanor’s Catch (1916). As I explain in my Lloyd book Silent Visions, Harold filmed many scenes from For Heaven’s Sake (1926) here as well, seen above running south beside the building still standing at the NW corner of Ord. While this fascinating reality film deserves a lengthy post of its own, here’s a final tidbit. Silence is a 2016 epic historical drama film directed by Martin Scorsese and with a screenplay by Jay Cocks and Scorsese, based on the 1966 novel of the same name by Shūsaku Endō.Set in Nagasaki, Japan, the film was shot in Taiwan, using studios in Taipei and Taichung and locations in Hualien County. Remarkably, the building at 618 New High remains standing. Given the grade of the 400 block of Alvarado, and the steeply sloped front lawns across the street, Doug’s scene, which even shows a street corner, was staged elsewhere, I guess for a prettier view. turns right at W. Arbor Vitae St.), then a 90 degree turn left (south), to rejoin its due south path directly adjacent to the tracks, the “B” marker on the above aerial view. The sole image I’ve found reported to be filmed there, above left, generally matches the Clampett City frame at right. In closing, Keaton also staged the famous car crash scene from Parlor, Bedroom, and Bath along the same Redondo Blvd., at the SE corner of Mines Field (read post HERE). That second photo looked familiar, as Hollywood hero Marc Wanamaker had shared the same photo to introduce Randy Skretvedt’s Chapter 12 in the new Cops book. Running straight north-south for miles, La Brea bends to the NW at the corner of Sunset. With this single image we can peek over the fence and tour the entire studio lot. Above, Douglas Fairbanks and Mary Pickford, the premiere inductees. Click to enlarge – National Archive Photo 18-AA-16-76 – looking east in 1923 at the studio, with the Hollywood Forever Cemetery at left, Melrose Ave. at right. In closing, I’m pleased to report that Jeff’s discoveries will be part of a new visual essay I’ve helped create for Eureka Entertainment’s upcoming Masters of Cinema box set release of Go West, along with Keaton’s Our Hospitality and College. Pardo wore a Santa suit during the massacre, as does the main antagonist in Silent Night. While I once easily made a side-trip to Hackberry during a visit to the Grand Canyon, she braved a single lane desert dirt road for hours and back to visit the former Valley Ranch filming site. Click the link below for details. So, ATC not only captures a long forgotten and revelatory early Chaplin performance, it provides a rare glimpse of the camera-shy Pathe West Coast Studios, and likely the final onscreen appearance of the Keystone Studio’s original grocery store facade. A Silent Film returns on October 16 with the follow up to the critically acclaimed Sand & Snow: the new full-length studio album A Silent Film. As seen above, a low-fenced garden once decorated the east side of the Inglewood station. I also applaud her sense of adventure. Westlake Park was a very popular movie location, recognizable in early films because its central lake was much wider than the narrow competing lakes at Echo and Hollenbeck Parks. Paramount: City of Dreams author Steven Bingen reports studio manager M.C. Please help support naming the Chaplin Keaton Lloyd alley in Hollywood by posting a review on Google Maps. Buster’s location is again marked with a yellow star. Missing much of his right hand, Harold wore his prosthesis for the ceremony. silencing synonyms, silencing pronunciation, silencing translation, English dictionary definition of silencing. Buster staged this scene near the Rutland Apartments at 1839 S. Main (reported HERE). Please help support naming the alley by posting a review on Google Maps. Of course – as reported in Brownlow’s documentary, a tourist filmed Buster busy at work (below), with massive crowds in the background watching him (notice the twin camera tripods beside the reflector). This prior Time Travelers post uses several of their films to highlight a single vintage photo. Paul found the treasure inside a steamer trunk at an antique show, unaware of its significance until he screened it for the first time months later. (Above, star-struck Charlie jokes with Roscoe Arbuckle and Ford Sterling as they enter the studio.) This link HERE promoting the 2019 restored screening of the film by the San Francisco Silent Film Festival, provides a brief overview of the primary filming locations. The Yamashiro site (somewhat dark) stands at center. Matching views south and east of Buster filming on Sunset at the corner of Detroit. The New York Public Library. But the early comedy team of Eddie Lyons (far left) and Lee Moran beat them both, filming a missing person comedy What A Clue Will Do at this same locale in 1917, providing vibrant and fascinating details of this working class neighborhood. The Silencing Film. Next, a crossword puzzle (from page 6) of the 28 pages of artwork and dozens of other promotional materials for City Lights (1931), with the answers further below in this post. The view right shows both kiosks. Unaware of Gertrude’s connection, Bob quickly provided the answer – City Hall Park, collaborating the news accounts of Buster filming there. View east along Sunset at left – click to enlarge – Buster staged the wallet scene at the lower left street corner, just a short block from the Chaplin Studio – notice the giant tent for filming The Circus. [Modern color photos by Jeffrey Castel de Oro]. Granny had imagined Lillian Gish and John Barrymore in these roles. The Criterion Collection’s stunning new Blu-ray release of Buster Keaton’s The Cameraman and Spite Marriage is loaded with bonus special features, including a new documentary Time Travelers I had the privilege of making with historian Marc Wanamaker and Oscar-nominated director Daniel Raim, to be covered soon in a future post. I’m familiar with 1920s era Newport Beach (Buster previously filmed there four times) and knew the little drug store wasn’t located anywhere near that beach community. Keaton filmed scenes here for Hard Luck earlier the same year. At right, Buster poses at Washington Square. Dedicated EPA attorney and devoted Keaton fan Marie Muller visited the remote Arizona ranch site where Buster filmed (see above), and shared her wonderful photos, that will be featured in this program too. After the boulevard extension split the park, the figures were rotated 90 degrees, so the figure of Otis now points north. The church was demolished in 1923 for the Guaranty Building standing there today. Directed by John R. Leonetti. Pick a favorite film, or subject of interest, and you can happily spend hours exploring these records firsthand. So much history hidden in a once-lost film. Buster’s encounter assisting Big Joe Roberts into a taxi, and pocketing his wallet, was filmed both in the late afternoon beside 590 N. Vermont (reported HERE), and in the early morning, above, miles away beside 7130 W. Sunset (reported HERE) looking east. Aubrey is a new addition to the Sheriff’s office, and is still reeling from the unexpected death of her husband John. The Silence manages to cause discomfort, but doesn't quite transcend and despite that manages to remain interesting. Aubrey goes to Karsson's motel room to arrest him, and is forced to kill him when he draws a gun. Conveniently located to the studios, this modest commercial street, only a single block long and originally divided by planters of palms trees, would later appear in dozens of Roach comedies. A parting shot looking east in 1890 shows the back of the gateway on New High where we meet Lyons & Moran (yellow box), and still standing on the corner of Ord at 1001 Alameda Street (orange box), the world-famous Philippe The Original restaurant, home to the original French dipped sandwich. … a studio so rich in memories should and must be preserved.” Behind Hedda, left to right top row, are George Arliss, possibly Marie Dressler (thanks Steve Massa – can anyone confirm? Perhaps it was a term for a public warehouse where tenants would rent space, similar to a Roman horreum. UC Santa Barbara – c-113_1098. This page was last edited on 20 February 2021, at 12:04. Captured forever, the anonymous images of these curious onlookers will live on at the fringe of film history. Further searching for Chas S. Hardy Meats in Google Books led me to this report showing a Chas S. Hardy in San Diego (above right) from the Report of the Federal Trade Commission on the Meat Packing Industry, Part 1. CHASE! n. 1. Marc Wanamaker – Bison Archives. With little cost or effort the City can simply give it a name, akin to San Francisco naming its alleys and byways after famous resident authors. Buster Keaton, Seven Chances, and Warren Beatty? The Silence (Trailer) More Details. Marc Wanamaker – Bison Archives. The Mammoth Studio entrance was conveniently portrayed by the Filmways Studio where the show was filmed, now the Sunset Las Palmas Studios at 1040 N. Las Palmas Ave. (Note: this was originally the Hollywood Metropolitan Studios, where Harold Lloyd produced his feature films, beginning with Girl Shy (1924), after leaving Hal Roach.) The police chase Harold north past the corner of 641 New High (arrow), the same corner where reporter Edith Roberts searches for her lost notes. How Mary Pickford Filmed Daddy-Long-Legs Part One, The Office – Film Noir – and Harold Lloyd, Chaplin, Keaton, and Lois Weber’s “Suspense” in Beverly Hills, The Hollywood Heritage in Lois Weber’s Suspense, Harold Lloyd’s The Kid Brother Was Close to Home, Green Acres, Pickfair, Chaplin’s Breakaway Home, and Keaton’s Italian Villa, Hollywood Snapshots – a 1922 Time Machine, Chaplin falls for The Kid – every scene now identified, Oliver Hardy at the Chaplin-Keaton-Lloyd Alley, It’s The Old Army Game – W.C. Fields in New York with Buster Keaton and Harold Lloyd, It’s The Old Army Game – W.C. Fields and Louise Brooks in Ocala Florida – Part Three – Fields Chased Around Town, It’s The Old Army Game – W.C. Fields and Louise Brooks in Ocala Florida – Part Two – Louise Strolls Around Town, It’s The Old Army Game – W.C. Fields and Louise Brooks in Ocala Florida – Part One, It’s The Old Army Game – W.C. Fields and Louise Brooks Bring Magazines to Life, Ghosts of the Past – the Regent Apartments – costar with Chaplin, Weber, Sennett and Roach, Keaton’s Battling Butler – A Knockout Finish to the SF Silent Film Festival, Chaplin’s The Great Dictator – Author Presentation at the Alex, From Roach’s to Roaches – Stan & Ollie Meet Starsky & Hutch, Restoration Premiere of Soft Shoes – Crossing Paths with Chaplin, Laurel, and Lloyd, Charley Chase “Fast Work” Around Hollywood, The “Never Give A Sucker An Even Break” Car Chase – Part 2, The “Never Give A Sucker An Even Break” Car Chase – Part 1, Farewell – a sudden lost Our Gang landmark, The Red Kimono – A Vast Record of Early Los Angeles, Another Lois Weber First – Using Locations, Keaton’s “What No Beer?” Barrel Avalanche, Arbuckle – Keaton at the Bronx Biograph Studio, Buster’s Manhattan Apartment – The Cameraman Part III, Arbuckle – Keaton – the Good Night Nurse Hot Springs, Chaplin’s San Jose Day Making A Night Out, Chaplin – Pavlova – Lois Weber – at the Castle Sans Souci, Harold Lloyd’s The Freshman leads the San Francisco Silent Film Festival, Hollywood’s Silent Echoes – 2017 FIAF/FLC Tour, Keaton’s The Goat – the geography of a gag, Buster with a Bullitt – Keaton and Steve McQueen’s SF Stunts, Keaton and Orson Welles – A High Sign Touch of Evil, Keaton and Hitchcock’s Vertigo Day Dreams, Keaton’s Cops and Go West – Peeking Over the School Fence, Chaplin – Inside “The Kid” Maternity Hospital, Where Roscoe Arbuckle Filmed His Brooklyn Vitaphone Shorts, Marc Wanamaker and Bruce Torrence – Hollywood’s Photo History Heroes. Shipka plays a late-deafened teenager who seeks shelter with her family, and a cult seeks to take advantage of her fertility. Charlie started his next featured role Between Showers on January 27, the day after ATC wrapped production on the 26th, and 15 days after completing Mabel’s Strange Predicament, which begs the question – did Charlie make any other (lost) cameos during those otherwise unaccounted-for two weeks? It is later revealed that the killer Santa is Ronald Jones Jr., owner of a local chimney cleaning and repair service, and he survived the flamethrower attack. He didn’t tell me whether I had confirmed or disproved the source, but it was in LA! The film was given a limited theatrical release on November 20, 2012 and was released on DVD and Blu-ray Disc on December 6, 2012. Swivel the view 360 degrees for a full look. It’s a priceless chapter of Hollywood history, written by stars who the world will never, never forget. Below, speeding directly toward the camera, Buster arrives in style at Wiseburn during The Goat, one of Keaton’s most iconic scenes. LAPL. Harold in Lonesome Luke, Circus King (1916). A comparable modern view on Google Maps of the headquarters site, with the original Keystone shooting stage at back, now a Public Storage Warehouse. They started reconstruction even while ATC was still in production, since this view of the cops racing to the rescue, looking north on Allesandro along the studio cutting room windows, already shows scaffolding and construction equipment in place. Buster, Harold, Mabel, and Doug, and the murder of Wm. His next victim is a bratty teenage girl who he kills with a cattle prod, then he makes his way to the local motel, murdering two of three people during a softcore porn shoot. Then another hit from Southwest Builder and Contractor (1922) provided the street number 861. In 1919 Hollywood was growing so quickly that even by the early 1920s many original landmarks were lost to progress. Click to enlarge – auditioning dogs for The Idle Class – Vanity Fair . Too good not to share – Mabel Normand filmed the exteriors for Mabel’s Strange Predicament (Charlie’s 2nd film) at the front entrance to the magnificent, and long lost Raymond Hotel in Pasadena (1901-1934). [6], The Los Angeles Times wrote that "The movie's intended audience will likely be satisfied by its parade of gory mayhem, cheap thrills and groan-worthy dark humor. Long story short, after crowd-sourcing ideas with Charley and Pacific Electric trolley author Steve Crise, we confirmed these 1939 photos were staged along Douglas Street, a mere 81 years ago, in the hills appropriately adjacent to Echo Park, where so many Keystone comedies took place. A closer view shows the mid-block alley corner behind Roscoe and Buster, with matching brick wall details at back (box), while the store’s right window reflects the “X” trolley crossing sign (oval) and left window reflects the corner bank. The Silencing was released in 2020 on Friday, August 14, 2020 (Limited release). HollywoodPhotographs.com. A mysterious man dresses in a Santa Claus suit, complete with a mask. Silence definition, absence of any sound or noise; stillness. Just then a bright red, equally large tour bus makes the same left turn before us, and Marc doubles over exclaiming “JUST LIKE THIS! Eddie and Lee even filmed at the top of these stairs, providing a clear view of the distinctive two story home once standing at 1645 Cosmo. An overzealous security guard prevented me from entering a completely empty parking lot to take a photograph. This video further explains the alley – if you can, please leave a thumbs up. Despite protests and court battles, Wilshire was extended across the park in 1934, dividing the lake and park in two and forever changing its appeal. Silence is a dreadful film from beginning to end. One can only imagine Paul’s excitement upon realizing he was the first person in decades to witness Charlie’s long forgotten performance. Which leads to Ollie’s location discovery. The rickety wooden stairway was removed by 1922 (it does not appear during Buster’s scene from Cops), but numerous matching details confirm the site. I’ve identified nearly every shot in the film, and hope to post about it some day, but for now, these views show the SE corner of Ord and New High, a bit north from where Lyons & Moran filmed. HollywoodPhotographs.com. The twin lampposts on the wall flank a sidewalk tunnel entrance into the former County Courthouse off camera further right. The following day, Christmas Eve, the Sheriff of Cryer, Sheriff Cooper (Malcolm McDowell), calls Deputy Aubrey Bradimore (Jaime King) in on her day off when Jordan doesn't arrive at work. The vintage corner building has since been demolished. You will find no other film quite like Silence this year or any other year. After checking back in with John he located this excellent image from 1934, showing the Chas. Above left, while the tracks continue to gently curve to the southwest, the dirt road makes a 60 degree turn due south, splitting away from the tracks at the “A” marker on the above aerial view (where modern W. Florence Ave. turns and ends at W. Manchester Ave.) The hothouses identified on the map stand off camera to the right. As reported in my book Silent Echoes and in other posts, Buster traveled to New York to capture many authentic city street scenes for The Cameraman (co-star Marceline Day’s NYC apartment was HERE; Buster’s apartment was HERE), but the crowds and the remote logistics were challenging, so the balance of the movie was filmed at the MGM backlot. It is a loose remake of Charles E. Sellier Jr.'s 1984 film Silent Night, Deadly Night and the sixth and final installment in the Silent Night, Deadly Night franchise. But wait a minute. Thanks to the wonderful Flicker Alley Chaplin at Keystone DVD collection, and Paul Gierucki’s two releases The Mack Sennett Collection: Volume 1 Blu-ray and The Forgotten Films of Roscoe “Fatty” Arbuckle, for the comparison movie frames. Why none other than Jed himself. Below, a view from the 4th Street Bridge, built in 1930 after Buster completed filming in 1925. Once dressed, "Santa" captures and kills Jordan (Brendan Fehr), a deputy Sheriff, in the small town of Cryer, Wisconsin. Looking north, the pants gag was filmed on the middle, left side of Main Street in Culver City, just south from Roscoe’s fire hose scene. Above, similar views from 1925, 1996, and 2020. LAPL. Yes, the Flicker Alley collection reveals Oliver Hardy also filmed at the Chaplin-Keaton-Lloyd Alley, chasing after Billy West in the 1925 comedy Rivals. I successfully pleaded with Daniel to include me mentioning the cat in the program because: (a) people love cats, and (b) how clueless would it look if I noticed the street address but NOT the startled cat! Not something you see everyday – Jed and Hedda, Doug and Mary! The freight depot site is now a modern apartment complex. We hope the City will continue this tradition by naming an anonymous Hollywood alley, also a public walkway, the “Chaplin-Keaton-Lloyd Alley” (see more below), where these great stars filmed The Kid (1921), Cops (1922) and Safety Last! Keaton biographer James Curtis reports Buster filmed the water tank scenes there for The Boat (1921), which makes perfect sense. Although the background crowds watching Buster seem impressive, they were likely there to witness Gertrude being honored rather than to witness Buster himself. The sight of this firearm prompts an imaginary ghostly vision of Horace Greely to appear, giving this young man the idea to board a nearby railcar and “Go West.”. Once located at 1845 Allesandro (now Glendale Blvd. What else do you see? I hope you check out the new The Cameraman release, specially priced at 50% off until August 2 at Barnes & Noble, and our new Time Travelers program. Below, a rare remaining building along New High, appearing with Lyons & Moran in 1917. While Mabel barely catches her train to Hollywood (see her departing POV at left), Harold just misses his train, leading to his epic race by horse, motorcycle, and stolen car to stop an illegal marriage. Please help support naming the Chaplin Keaton Lloyd alley by posting a review on Google maps below. Where was the photo taken? While this is her print book authorial debut, Lea is a wonderful, informed writer, who covers all aspects of silent film history and culture in her always fascinating Silent-ology blog. During early December 1919, Charlie Chaplin filmed scenes here discovering an abandoned baby for The Kid (1921). Their collection of images is a virtual time machine. Aubrey was going to spend the holiday with her parents, but instead goes out to check on Jordan, finding his mangled body and Roach, who has been dismembered, later in the day. [10][11] Bloody Disgusting gave a score of three and a half out of five, writing "While Silent Night does not add anything new to the subgenre, it delivers the ho ho horror with its spectacular kills and tongue-in-cheek humor. This makes perfect sense given he’s chased all around the alley site at Cahuenga and Cosmo during the film. Matching views – 1925 and 2020. ), and stripmalls occupy all four corners of this once glamorous, citrus orchard – residential intersection. Buster Keaton’s modest studio made it necessary for him to film many famous scenes at other studios with larger backlots. Another view west past the two subway kiosks toward the corner of Broadway and Murray during a similar celebration for Amelia Earhart. A poignant mix of heartbreak and the mundane. Aubrey notices a gift box that contains a piece of coal, and recalls that both the station and her father had received the same gift. His recent The Douglas MacLean Collection ended up matching Doug’s feature One A Minute (1921) with the same rural train station appearing later during Harold Lloyd’s Girl Shy (1924, above right). From the beginning, music was recognized as essential, contributing to the atmosphere and giving the audience vital emotional cues (musicians sometimes played on film sets during shooting for similar reasons). Mentioning this to Richard, he sent me this slightly more revealing Ruses View Two photo (above), depicting a series of Mission-style towers at back, configured differently than the Selig towers. The five Mission-style arches in the circa 1911 full view photo further above are missing in Ford’s ATC frame, while two store fronts (box) and the Selig Studio towers (box and image to the far right) up the street in the photo remain in view during his scene. Given its “colorful” exteriors and close proximity to the Bradbury Mansion Rolin Studio, Lloyd likely filmed many other early (but sadly lost) films along New High. Download a 4-page brochure HERE. 1923 – the Norbig Studio and Harold’s corner to the left – the Keystone Studio to the right. But when filmed at a remote locale, they also remind us a passing century is merely an eye-blink in geologic time. The Silencing ( 2020) The Silencing. Much of the area is hemmed in with various fences and locked gates, even under the best of circumstances.
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