The magnificent atmospherics of ‘The Old Man Of The Sea’ and the emotional intensity of ‘Yesterday’s Hero’ are hard to top, but if the restraint shown on the rest of the album leave you longing for heads-down rock and roll, here it is.It’s striking, on an entirely instrumental album written and produced by a guitarist, how few solos there are on this album given its running time. Tweet.
Perhaps understandably the most intensely moving track, this is very special indeed.The album opens in almost cinematic style with ‘Morpheus’. Rothery and Foster, joined by Romano on 12-string acoustic, build a slowly expanding web of limpid acoustic lines, almost like a musical round that becomes more ornate as it develops. Working on the tracks right up to the production deadline, the album has been a real labour of love for the Marillion guitarist. Reclaimed by nature, Pripyat makes for an eerie monument to those who died, and the displaced workers whose lives have never been the same.
Album Review: Steve Rothery - 'The Ghosts of Pripyat'.
Rothery’s economy is admirable in that it is never forced; this is just how he takes care of business. It is here that Rothery’s fondness for the playing of Genesis guitarist Steve Hackett is most evident, and it’s entirely fitting that Hackett himself makes a guest appearance on this track. Last years long awaited solo album "The Ghosts of Pripyat" has received excellent reviews from … Genres: Progressive Rock. Whilst The Ghosts Of Pripyat is a solo album in name, Rothery has assembled a strong band to record it. I was a big fan of his work with Fish-era Marillion; his wonderfully crafted solos, particularly on Script for a Jester’s Tear and Fugazi, were an essential part of the Marillion sound. 2014 (autoproduzione) | space-rock, blues, prog-rock. Marillion fans will delight in the way this track builds with an almost sensual slowness from barely audible ambient wash to a circling riff comprised of Rothery’s signature guitar sound, a crystalline chorused sustain that is powerfully evocative in its simplicity. Diciamo la verità, approcciarsi a un lavoro solista di un chitarrista è un'idea che fa paura a molte più persone di quanto si possa credere. Released 22 September 2014. From these tentative but wonderfully evocative beginnings, the track gradually builds in intensity, musically and emotionally until it becomes as powerfully elemental as the sea that is its muse. The closing section in particular is one of the feistiest things that Rothery has committed to tape recently, featuring some forthright riffing built on top of a powerful performance by the assembled musicians, notably the muscular rhythm section of Halimi and Parr. This contrasts wonderfully with ‘The Old Man Of The Sea’, which is in many ways the centrepiece of the album. A near 12-minute track, it covers a range of moods very effectively. Here, freed from the constraints of delivering songs – as in Marillion and The Wishing Tree – those sound paintings are given centre stage 100% of the time, and it’s testament to Rothery’s abilities as a player and a writer that the results never fail to hold your attention.Like any good soundtrack, each part of the album is very different in tone. This is the essence of Rothery’s playing, bottled in concentrated form: less is most definitely more. Pripyat footage shamelessly lifted from Danny Cooke's footage, shot in June as part of an assignment for CBS News 60 Minutes, also from Philip Grossman's footage for his film "500,000 Voices" ‘Yesterday’s Hero’ also builds slowly, although the mood is almost antithetical to ‘White Pass’: the track – a remembrance of Rothery’s late stepfather, a World War II veteran – forms a delicate and deeply emotive elegy that displays some of the most restrained playing on the album. That in itself is one of the reasons he is so beloved as a guitarist: yes, he can be truly devastating when delivering a solo; yes, he can crank out a chunky riff with the best of them; but his playing is always in the service of the piece. Opening with wave sounds, whale song and a mournful, lonely guitar fed through a Leslie effects pedal, it sounds beautifully Floydian – an effect only magnified when Rothery’s more familiar signature sound emerges to pick up the story. Hot on the heels of last month’s ‘Live In Rome’ comes ‘The Ghosts Of Pripyat’, Steve Rothery’s first ever solo studio album.
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