It is clear why Portra 400 has become the go-to for so many photographers. level 1 Specifically, Portra 400 has lead the way, becoming a must try film for photographers. So, while on holiday we loaded the Contax G2 too see what all the fuss is about. It is by far the most popular film available today. It really paid off, we were rewarded with a range of glorious blue and rich creamy white tones. Portra 400 is especially impressive as not only does it allow lots of overexposure, it does it without introducing too much in the way of undesirable changes in colours. But at 5 and 6 stops overexposed, things are starting to shift a little bit too much for my taste.”Copyright © 2020 PetaPixel“I think worst case, you could get away with one stop of underexposure,” McDougall says.Here are the comparison photos showing how the film performs in underexposure and overexposure:“An important thing to understand is that regardless of how over- or underexposed your film is: the lab you use is always going to try and make the scanned image look as normal as possible during the scanning process,” McDougall says. Effectively giving it an extra stop of exposur e. The intention behind overexposing is that C-41 colour film can handle several stops of overexposure before it starts to lose detail. Noticeable (though subtle) differences show up immediately. While its professional quality shone through with excellent shadow and highlight detail. So, with this in mind, we shot our Portra 400 as if it were a 200 ISO film. The usual result is that you get flatter images with less saturated colours. Canadian photographer Kyle McDougall decided to find out by doing his own test. Even with the overexposure, it captured the vibrant colours and tones properly. Enter your email for updates on things you’ll want to know about.Overall, we were really happy with the results. “4 stops overexposed, I would definitely use in a worst-case scenario. It’s no exaggeration to say that I have had useable photos shooting Portra 400 overexposed by what I’d guess was about 9 stops. From -2 and more, things become unusable. Last time we reviewed Portra 400, we tried the popular technique of overexposing colour negative film to desaturate the colours. “The way you expose affects the density of your film negative, which has an impact on the final look of the scan.”On the overexposure end, things are surprisingly usable and relatively unchanged up until 3 stops.After seeing the results of this test, McDougall recommends rating your film at a lower box speed just to completely avoid any underexposure in your photos.On the underexposure side, things quickly degrade even with a single stop of underexposure. Overexpose and underdevelop was the classic wedding photographer strategy. “I’d be very comfortable using any one of the images from 1 stop to 3 stops overexposed,” McDougall says. Underexpose and overdevelop, and you've got the classic photojournalist look, grainy and contrasty. This time, we decided to shoot at the box speed to see how it compares. Lots of room for error, and yields low contrast images that have creamy skin tones. The typical soft, warm tones of the Kodak film perfectly suited the sunny island atmosphere. It’s a high-class film that you can rely on.No other emulsion embodies the revival in film photography more than Kodak Portra.
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