For the most part, she describes the relationship between photography and capitalism in society. Like painting, yet essentially different, photography is now considered a high art, capable of illuminating the human experience.
The history of this change is documented with supporting evidence derived from the works of named photographers.Susan Sontag's 1977 monograph On Photography is composed of six named chapters, or essays, which form a weakly related progression from conceptualization through history and implementation, to the then-current understanding of photography as a process and an art form.
The text develops the theme without offering convincing support, and then briefly considers the early reaction of the literary arts to the advent of photography. Photographers: Photographers use their technical expertise, creativity, and composition skills to produce and preserve images that tell a story or record an event.
Sontag suggests that the central tension in all of photography is one of self-identification—is it merely a mimetic program of using a machine to manufacture representative images, or is it a high art equivalent to painting? Some travel for photoshoots; others work in their own studios. Because there are so many images widely available to the public of drastic events, people have become immune to them and no longer consider those events to be of urgency.On Photography study guide contains a biography of Susan Sontag, literature essays, quiz questions, major themes, characters, and a full summary and analysis.One of the many examples discussed is propaganda during the Great Depression. The fifth chapter, or essay, "Photographic Evangels", briefly presents a history of photography's development, and then delves into the essential theme of the monograph—the very nature of photography.
On the other hand, many consider photography to be a high art, deserving of praise and inspection. The monograph concludes with an examination of the differences of opinions about photography between American and Chinese culture and politics.The third chapter, or essay, "Melancholy Objects", focuses on the Surrealist implementation of photography in the United States of America. On the one hand, many consider photography as nothing but a mechanical process whereby dependable representative images may be quickly and cheaply produced. Additionally, the nature of reality and the interplay between images and reality is briefly considered. These notes were contributed by members of the GradeSaver community.We are thankful for their contributions and encourage you to make your own.In conclusion, Sontag wraps up the argument that she believes photography has hurt the country, for the most part. Find summaries for every chapter, including a On Photography Chapter Summary Chart to help you understand the book. Susan Sontag's 1977 monograph On Photography is composed of six named chapters, or essays, which form a weakly related progression from conceptualization through history and implementation, to the then-current understanding of photography as a process and an art form. The second chapter, or essay, "America, Seen Through Photographs, Darkly", considers the social milieu obtained in the United States of America during the time of photography's initial penetration into commercial markets and artistic endeavors. The text presents evidence for both points of view and then concludes that the argument likely will persist as long as photography itself. The old-time school of euphoric humanism, as championed by Whitman, gave way to anti-humanism, realism, and Surrealism largely due to the camera's ability to produce images quickly and cheaply. While millions of farmers around the United States were in a state of deep poverty, the Farm Security Administration issued photographs of successful farmers and high crop yields. Contents Obviously, this was far from fact, but it was simply used to show that times would get better soon - even though they didn't.You can help us out by revising, improving and updatingthis section.Written by people who wish to remain anonymous
The Surreal is only vaguely defined in the text, but numerous American photographers' work is considered and a relentless comparison of modern photography to Surrealist goals is presented. Of course, this modern day was the 1970's, but many of the key elements described in the collection of essays still remain relevant. The fourth chapter or essay, "The Heroism of Vision", considers the effects of photographs upon perception. The sixth chapter, or essay, "The Image-World", ends the monograph by presenting the fragile theory that images—of which most are photographs—are equivalent to reality. Working conditions for photographers vary considerably with their specialty. On Photography by Susan Sontag is a treatise on photography; what meaning it holds, both in Western civilisation, as well as other cultures and how such meaning has changed through the relatively short history of the medium.
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