I also had a speedlight with me for backup. VISION3 offers enviable control at every step of the filmmaking process, in both digital and traditional workflows. Luckily the Sopot hotel on the sea front has much more light and even though the weather was cold it was brighter and blue skies one day.
For this visit I thought I could shoot Kodak Double-X at ISO 1600 if needed and Kodak Vision3 500T at ISO 1000 or more with ease. 85b filter. Olympus Zuiko 50mm 1.8 lens. I feel film photography embodies a must-needed break from the frantic times we’re living (at least pre-coronavirus-wise)…. The unique beauty of film, crystal clear. Also big thanks to MUA Kate and Marta! Happy days!I have since done some major colour grading on a few photos, but I keep coming back to the original scans.My Dad gifted me his Nikkorex F many years ago, but I had never shot it until recently. What’s more, VISION3 500T Film’s extended highlight latitude gives you greater flexibility when lighting extreme situations, and lets you pull even more detail out of highlights. But I found Cinestill 800 to be very very interesting and I have pondered if I should buy some motion-picture film (Vision3 500T is Cinestill 800, only with remjet-backing) and shoot some (removing the remjet before or after processing). I have always been fascinated with panorama photos. All of a sudden, the streets…I made these pictures in Murmanskaya State, Russia in Autumn 2019, when I was working as the producer of a photo crew and we travelled to various industrial facilities. For this visit I thought I could shoot Kodak Double-X at ISO 1600 if needed and Kodak Vision3 500T at ISO 1000 or more with ease. Days later I came down with my personal cocktail of symptoms so I’m glad I returned…I'm an environmental scientist during the day but a low-light/night photographer shooting the suburbs and vintage signs on film outside of the 9-5 hours.Since I started shooting film 2 years ago, I have wanted to shoot Motion Picture Stock and have it processed in its native ECN-2 chemistry. Reviews. I took my Billingham Hadley Digital camera bag and in it fitted the following:I do love Leica M cameras for many reasons but one of their best features is their size. For colour film I rolled equal amounts of Kodak Vision3 50D (daylight balanced film like the Cinestill 50D), Kodak Vision3 200T (tungsten balanced film) and Kodak Vision3 500T (tungsten balanced film and the same film stock as Cinestill 800T). It was a Christmas present to myself to fill the quiet time between Christmas and New Year!I bought a Leica M4-P film camera after my last trip to Budapest as wanted a Leica M body with a hot shoe so I could use strobes with film. KODAK VISION3 500T … My Leica M2 and M3s only have cold shoes so it is not as easy. All film cameras by brand. Kodak Double-X is great for this and so too is the Kodak Vision3 500T. Kodak Vision 500T film. I managed to persuade a few cold hardy models to join me on the beach for pictures as I prefer outside photos where possible. Here are some more digital Leica M240 photos until then –Sign up today for email notificationsI was in Poland last December too, staying in Gdansk, and the days never seemed to get light. Both M3s are in need of slight recalibration but I hope to start using those in the summer when using available light only as the M3 viewfinder is the best Leica M viewfinder bar none I think).As it has taken me so long to post this I have already shared both digital and colour film photos on my Flickr, Instagram (@MrLeicaCom) and Facebook pages. A big thanks to Malva Models who recommended many of the models for this visit.Despite not seeing many of my regular models I still managed to do 12 shoots with up to 5 shoots on a single day. 110 cameras. I shot the black and white Kodak Double X film at anything between ISO 100 and 800 on the same roll. I also had a speedlight with me for backup. Kodak Vision3 5219 500T (rolled by QWD). This is a huge help to me when I’m shooting overseas with models.I realise I have so many promised and unposted blog posts to come but to recap here are some posts on their way for 2017A big thanks to Monika at Hotel Bursztyn for having me again and in no particular order thanks to models; Natalia, Marta, Karolina, Agnes, Agata, Magda, Dagmara, Gosia, Teresa, Aleksandra and Kasia. ... At night Kodak VISION3 500T 5129 (EI 1600 / 35mm format / … I worked 8:00-18:00 to use as much of the daylight as possible but still used the speedlight a lot inside to try to add interest.I had hoped to shoot less in the hotel and use the local area more but the weather was just too cold on the whole to do much outside for very long. With a background in filmmaking, there are of course many examples of exciting compositions in the wide format.
With T stock looks and a good amount of grain, this stock comes alive at night with killer colors and tons of character. In Budapest I shot mostly on 35mm lenses and craved a wider focal length. What’s more, VISION3 500T Film’s extended highlight latitude gives you greater flexibility when lighting extreme situations, and lets you pull even more detail out of highlights. Then, after months of searching for a lab that could process ECN-2 I came across Quiet We’re Dreaming lab in Philly who sell and process cine stock in ECN-2.
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