The vibrancy is absolutely glorious, especially with the skin tones. Always loved the wood paneling on the grand wagoneerI love the portra films… I am sad I really have no experience with portra VC 400 I feel like I would have loved it. So thank you for showing!Drew Chambers is a former high school teacher and current master's student at Harvard University. Owned cars ten or more years older than I was. Although the ability and the way we capture things, both artistically and as memories may change, it’s important to look back at the way it was once done!I still have his ‘Lovers in a Cafe’ photo set as the background on my phone. Later they would release an 800 speed Portra and a C-41 B&W Portra.
I love the finer grain of Portra 160 and for 35mm I normally prefer it to Portra 400. So the dark areas of your scene will have less density (and be less dark) on your negative. So much of my fast moving impulses slow down. I suppose that I think about reliving the past when I use my film cameras, as I got my first SLR in 1980. Were they processed at box speed or pull-processed to match the over exposure?Based on my experience with expired C-41 film I wonder if some additional exposure would help with the saturation and flatness issue?I love the freedom of expression that photography in general presents, and the ability to be as involved in the artistic process as possible that film photography allows.
Given the nostalgic bent of the discussion, a favorite short story entitled “Where the Cluetts Are” by Jack Finney comes to mind. Beautiful and nostalgic memories that you describe from former times.The photos in this article really reminded me of my hometown, maybe I can convince myself that being financially irresponsible just this once is worth it.ysFound it interesting that you mentioned how VC looks grungy, wondered if it was shot fresh whether or not it would still produce the look.Thanks for the review. It connects me to the past and the present. Nous étions alors en 2010 pour la version 400 ASA et en 2011 pour le version 160 ASA.Hasselblad Xpan – Kodak Portra 160J’ai déjà eu beaucoup trop de mal à me faire à la fin des films diapo chez Kodak, a la fin de la TMAX3200Récemment j’ai même tenté un nouveau format avec le 24×65 sur un Hasselblad Xpan, pour du paysage j’ai été bluffé, ça foisonne de détail, cela en devient presque enivrant.J’ai aussi tenté de pousser la Portra 800, 1 stop en plus et on passe à 1600, c’est plutôt pas mal et ça le supporte bien, au delà, soyons honnête, non le résultat n’est pas là, mais à 1600 ASA oui ça passe.Minox GTE – Kodak Portra 160 VCFidèle amateur de couleurs saturées et de lumière contrastée, j’ai toujours aimé les films Kodak, mais plutôt comme la kodachrome 64, défunte maintenant depuis 2009, ou bien avec des diapos , particulièrement le film Kodak E100G dont j’épuise avec bienveillance mes dernières bobines de 135 et de 120.Pour les jours de grand beau temps qui ne sont pas si nombreux sur la capitale, j’ai fait la même découverte avec la Portra 160VC, idéal en été.Minox GTE 35mm – Kodak Portra 800Mon film fétiche étant la Portra 800 que je peux aussi bien utiliser par temps maussade en hiver, qu’en début de soirée en basse lumière, ou même à l’heure bleue.Hasselblad 500CM – Kodak Portra 400Canon EOS 1V – Kodak Portra 800Minox GTE – Kodak Portra 800Je résume donc pour ceux qui n’aurait pas suivi.
Left me nostalgic, looking for expired film in all the corners of my room so I could satisfy this need for experiencing the past.As for why so many images we see in the film photography community feel so much better than 35mm family snaps of our childhood: we’re *all* being more selective in what we shoot and share (those old photo albums are often whatever came out in focus on a given roll, and there was no cropping or straightening to be found) — and still the average images found on a family member’s smartphone / mirrorless / DSLR will be about the same quality as those snaps of old.Why NOT hike a mile into a State Park only to prop my phone up and do choreographed TikToks? Actual Portra is almost there but is not the same. Just purchased an Olympus OM-2n and am looking to purchase some Portra 160/400.I’m just confused about how or why you are setting your camera to ISO 600? Fabulous article!Thanks for a great exploration of both the mechanics and less tangible aspects of shooting old film stock. Or at least we can hope I already enjoyed discovering Drew’s Insta-Feed and enjoyed browsing through his work. Maybe that’s why I like it so much.
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