Kodachrome 64 is probably the most requested film that people have asked me to create a recipe for.
I don’t disagree with that, but there are always compromises when recreating looks in-camera because the tools available to me are limited. Instead of discontinuing their most popular color film, Kodak made a new version that required a less-toxic (but still toxic) and less complicated (but still complicated) development process. How important to the overall recipe is the “White Balance: Daylight, +2 Red & -5 Blue” element? The X-T4 has .5 Highlight and Shadow adjustments, and I would set Shadow to +0.5 if I were using these settings on that camera (I hope that Fujifilm updates the X100V and X-Pro3 to allow this, too). You are correct, everything can be programmed into the Q menu except for the white balance shift, which will have to be adjusted manually.maybe is it the way the contrast work when low light , and this is that you recommend even +1 exposure compensation ?I shot many rolls of Kodachrome 64, and a few rolls of Kodachrome 25. The biggest complaint that I’ve heard about it is that the reds aren’t vibrant enough.
If you prefer +1 Color, feel free to do that instead. Perhaps try Continuous shooting mode.That’s a really good idea for a post (or series of posts, even). Stellen Sie sicher, dass der Boost-Modus aktiviert ist, da dies ein wenig hilft. Despite not being perfect, I do feel that this version is a little more accurate to actual Kodachrome 64 film.deine Rezepte sind wirklich klasse und man kann sich gar nicht so wirklich entscheiden, welche man auf seiner Kamera installieren soll.Do you have Performance set to Boost?
Ich freue mich über das Feedback. I don’t find a significant difference in digital noise between ISO 200 and ISO 800. I don’t think it will make a huge difference either way.I recommend staying away from this version of the recipe on the XT-20. Like overcast, or indoors? If you appreciated this article, please consider making a one-time gift contribution. In 1974, with the transition to the K-14 process, Kodachrome II and Kodachrome-X were replaced by Kodachrome 25 and Kodachrome 64. Kodachrome is actually a black-and-white film with color added during development, which you can imagine isn’t a simple procedure. I think +2 Color might be too much, but +1 Color doesn’t render reds and yellows vibrant enough. Tried this on my X100V yesterday, colours look great. Ich habe viel Spaß deine Rezepte auszuprobieren! Hi!
You can find some vastly different looking pictures that were captured on Kodachrome 64.
It has a similar look, probably a bit more contrast, smaller dynamic range, and perhaps slightly warmer, but the strong grain wasn’t pretty. Or i should just leave it as it is?Many people love my Kodachrome 64 recipe, but not everyone. Thank you!Thanks for producing these recipes.
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