A stuffy nose cartoon or a cartoon character with a long nose likely isn't true to life, but we still make the association.As an example, let's break down our example nose.But what happens when we break too many rules—can we?
Step 2. Notice that the premise from earlier still stands—we still need to keep those planes in mind. DOWNLOAD IMAGE. For example, we could greatly elongate both the bridge and the entire skull—or we could squish them.We've looked at multiple ways you might approach drawing a cartoon nose. Before we focus on stylizing this part of the face, let’s observe the basic shapes that compose the nose. So, for example, a smirk might squish the cheeks to one side, and the nose might just nudge along with it.Even when creating a cartoon nose drawing, it's still important to understand how the nose itself works. For example, we could do so to accentuate features or push an expression further.Cartoon styles often simplify features, including cartoon noses. How, then, does the viewer know that it's the character's nose, if it deviates from what a human nose actually looks like? These noses fall below the eyes, yet above the mouth. While they might be abstract, they’re still generally associated with the nose area of the face.Finally, refine your work, keeping the other parts of the face in mind.When in doubt, I recommend looking at references, even when drawing stylistically!
Instead of drawing shapes on the nose, the different parts are indicated in the same color key.Using the foundation that we've built, let's experiment with which aspects of the nose we'd like to include, which we might like to exaggerate, and which we might omit. Remember to use references that are properly sourced, or even take some reference photos of your own!Cartoon styles often simplify features, including cartoon noses. I like to think that this is a key question to consider, when experimenting with things like abstraction and simplification.The nose might not necessarily be one of the most expressive parts of the face—but it’s still subjected to the “squash and stretch” we might see on the human face as expressions change. Let’s take a look at how the nose typically relates to the face, in terms of proportions.Let’s try simplifying even further, with some highly simplified examples. For example, frowning might result in the “wrinkling of one’s nose”. While they use unnatural themes and shapes, they still generally communicate that they are faces.First, begin by laying out the basic proportions of the face. Let's take a look at how the nose typically relates to the face, in terms of proportions.I like to think about the nose in three parts: the bridge (in red), the ball (in green), and the nostrils (in blue). Good luck and happy drawing!Envato Tuts+ tutorials are translated into other languages by our community members—you can be involved too!When looking at the nose from a realistic perspective rather than stylized, you'll notice that these regions aren't necessarily flat—they have depth. We can use the preconceived ideas of our audience to make visual associations and communicate ideas, even if they aren’t true to realism.
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