Harry Carney took a rare solo on tenor sax (borrowing Barney Bigard's horn) on the Ellington song Hot Feet. They have not been checked for accuracy and definitely may contain errors. He played a variety of instruments but primarily used the baritone saxophone, being a critical influence on the instrument in jazz. The combination of such a large-chambered mouthpiece and the Conn brand of baritone saxophone was certainly a factor in the production of his enormous, rich tone.While not the first baritone saxophonist in jazz, Carney broke through to greatness, producing a sound that influenced several generations of musicians. Carney’s rich sonority became an essential element in Ellington’s tonal palette and for decades listeners gloried in the full-throated lower register which, in a band brimming with individualists, had a character all its own. I know that he played on 12 and 11m’s but we’re they silver laquer or gold? From Wikipedia, the free encyclopedia Harry Howell Carney (April 1, 1910 – October 8, 1974) was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra.
Harry Carney 's baritone saxophone was the anchor, the lodestone, the foundation of a distinctive tonal blend that virtually defined the Duke Ellington Orchestra for more than 45 years. Carney joined Duke Ellington’s Orchestra when he was 17 in 1927 and remained for over 46 years, passing away in 1974 a few months after Ellington.
At times I’ve been ashamed to take the money.’ After Ellington’s death, at the end of May 1974, Carney said, ‘Without Duke I have nothing to live for.’ He died a little over four months later. Carney played at the Savoy Ballroom with Fess Williams before joining Duke Ellington, who was about to play in the young musician’s home town, when this engagement was over Carney left for a tour with Ellington, who had taken on the role of guardian.The job with Ellington lasted until Duke’s death 47 years later. He was an excellent, melodic soloist and anchored the sound of the sax section.Carney’s relationship with Ellington transcended that of musician and leader; he was Ellington’s confidante and for decades he drove the Duke from gig to gig.
The closeness of their relationship was underlined by Carney when he said: ‘It’s not only been an education being with him but also a great pleasure. Nevertheless, despite his virtuosity on the baritone, Carney would take up the clarinet on frequent occasions to show he was truly a master of the reed instruments. Photographic evidence suggests that the mouthpieces he used were predominantly those of the Woodwind Company of New York. Also we would like to add that you will learn a great deal more if you transcribe these solos yourself. Harry Howell Carney (Boston, 4 gennaio 1910 – New York, 8 ottobre 1974) è stato un sassofonista e clarinettista jazz statunitense, noto soprattutto per la sua lunga (45 anni) militanza nell'orchestra di Duke Ellington – per il quale spesso faceva anche da autista – e … He also occasionally took a solo on clarinet, despite Bigard being the featured clarinetist with Ellington from 1928-1942. A mainstay of the Ellington experience, he remained with Duke longer than anyone else and outlived him by only a little more than four months.
Conn, and like other jazz musicians was known to offer endorsements of his preferred brand.
From what I’ve read I think he used Silver plate before then, but I’m not 100% sure.Born April 1910, Boston, Massachusetts, Carney began his professional musical career at the age of 13, playing clarinet and later the alto and baritone saxophone in Boston bands.
-All About JazzWhat model horn did he play on? © 2020 Schweizerische Radio- und FernsehgesellschaftThroughout his career he played saxophones manufactured by C.G. Carney played the instrument with a massive tone and direct style. ... Harry Carney: Take the A Train: Harry Carney with Strings: Maximiliano D.L. Among his childhood friends were Johnny Hodges and Charlie Holmes, with whom he visited New York in 1927. Shortly after joining Ellington, Carney was persuaded to play alto saxophone but soon gravitated to the baritone, an instrument he proceeded to make his own. I know his last horn, a Low A 11M from the 60’s was lacquered.
Carney, with his incredible use of circular breathing and his pure uncluttered tone, is widely recognized as having been a pioneer on the instrument, bringing the baritone out of the obscurity of the saxophone section and into the limelight of a solo instrument.
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