For four weeks neither of us wore the same suit twice. 'In those days they had segregated trains, and the black car was always right behind the coal car, so that all the dirt and dust would fly in on us.
There was only one door out of the hall and the audience, thinking that bombs were exploding, panicked and it was amazing that there were no serious injuries. shirt collars, and inspired an army of female admirers, known as "Billy-soxers."
This was easily the most comprehensive collection of modern jazz stars ever assembled, and the music, much of it composed by Tadd Dameron and Budd Johnson, was so far ahead of its time that it is not surprising that the dancing public was not impressed. B."
His last hit was "Passing Strangers", a duet with Sarah Vaughan released in 1957. 'He worked with us at the New York Paramount once, and it was a ball hearing him five shows a day. He designed and patented a high roll collar that formed a B over a Windsor-knotted tie, which became known as a Mr. B. Collar. Always stylishly dressed, he wore narrow ties, loose-fitting suits and a signature curved shirt collar favored by hipsters and gangsters. On one occasion in his solo career, he was in competition with another male fashion plate, Duke Ellington. 'When he was forced to break up the band Eckstine returned to his career as a solo singer and by the end of the Forties had become the most popular vocalist in the United States.
However, it is possible to get some idea of how good the band sounded from 'Opus X' and 'Blowin' the Blues Away'.
He also introduced new songs on radio - 'Skylark' was one - becoming the first black person to do so, made an exception because of his particularly clear diction.Apart from working with the Ellington band on that occasion in 1966, Eckstine also recorded a successful album with Count Basie in which he recreated his blues hits, and others with Quincy Jones. In his early days he used his vocal success to subsidise his big band and it was always a pleasure to see one of his records in the Top Ten, even when the songs were, to the jazz listener, turkeys like 'I Apologise' and 'I Wanna Be Loved'.
The band included the greatest stars in the new jazz movement of the time - Dizzy Gillespie (who was its musical director), Charlie Parker and Sarah Vaughan - and it provided a platform on which the new music, bebop, could be developed. Start your Independent Premium subscription today.Are you sure you want to submit this vote?More understandable was another kind of violence Eckstine indulged in. Signing with MGM, he rose to superstar status, sold millions of records, marketed his own line of "Mr. He changed the spelling to Eckstine after a club owner said the original spelling was "too Jewish".Eckstine was a style leader and noted sharp dresser. ... Billy Eckstine Click to expand... the Mr. B collar was a button down collar. The bad piano is the bane of every musician's life.The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium.
'ALTHOUGH Billy Eckstine has always been recognised as one of the most tasteful of popular singers, he also made a most vital contribution to jazz with the big band which he led for three years from 1944. shirt collars, and inspired an army of female admirers, known as "Billy-soxers."
Eckstine was a style leader and noted sharp dresser. Ellington described it.When Eckstine left the Hines Orchestra in 1943, he added his trumpet playing to his act as a night-club vocalist.
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B." Hines gave Eckstine an additional job in the trumpet section, and Eckstine also learnt to play the valve trombone.In 1940 Eckstine sang his blues 'Jelly, Jelly' on one of Hines's records and had his first hit. There was also a little thing going on between B and me. He worked opposite Dizzy Gillespie's small bebop band at the Yacht Club on 52nd Street, in New York, and when the club closed in 1944 Eckstine formed his own big band, which was to last until 1947.
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By the third week people were buying tickets just to see the sartorial changes.
'I'm gonna whip your ass across the tracks and back under again.' When Dizzy Gillespie, a great teacher, joined the band, Eckstine persuaded him to teach him to play trumpet. The band featured at various times a large number of rising jazz stars, including:Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform.Billy Eckstine (8 July 1914 – 8 March 1993), born in Pittsburgh, Pennsylvania, USA as William Clarence Eckstein. He was the composer of the blues classic "Jelly, Jelly" and also recorded the R&B top hit "Stormy Monday Blues" in 1942 (not to be confused with T-Bone Walker's 1947 "Call It Stormy Monday (But Tuesday Is Just As Bad)").
'When you got to Washington you'd left the South and were all right. He was completely at home in both idioms.After working as a night-club singer Eckstine became the vocalist in the big band led by the pianist Earl Hines in 1939.
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